Quirks in your writing – what do you always include?

16 05 2014

Clive Cussler appears in each of his Dirk Pitt novels. Somewhere, for at most a page or two, a silver haired gent appears in the narrative and says or does something a bit helpful to the hero before never being seen again. It’s nice, a kind of magic in each novel. Something to watch for. Something you know is coming and you wonder how he will weave himself into the world this time.

Hitchcock loved a cameo in his films, and what will be world be if the next reboot of Star Trek doesn’t rely on one flash of light that shows a Spock moment somewhere. If we ever lose Nimoy I expect CGI will be fired up with pointy-ears a-plenty and he’ll save every one of us.

Do you have a gimmick? Something you always put into your writing which makes you smile as you type. It may be you do it just for yourself and if anyone noticed you’d deny it. Perhaps you set it as a challenge for your readers in the know.

It’s strange but it’s true that, for me, in stories if not in blogs, it is not complete until I have a Queen lyric or two somewhere in the crazy paving. Perhaps in the dialogue, perhaps in prose. Somewhere Freddie, Roger, Brian and John live again

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Sequel – how many is too many?

30 08 2013

I’ve been thinking a lot about sequels. How many can you have? How many stories about the same hero can you write. I think Clive Cussler has over 30 about Dirk Pitt. How about Captain Johns and Biggles, Conan Doyle and Sherlock, Blyton and her five or seven adventurers. Sometimes you have no choice but to write more and more and more.  Doyle tried to kill off Holmes but wasn’t allowed. Wodehouse occasionally bored of Jeeves but had to keep popping back for more.

Some would say I am more semantically discussing series rather than sequels but the dividing line is blurred. Following a single life through multiple adventures seems to me to be a series of sequels but should a sequel follow concurrently to be a sequel rather than a series? Does it ultimately matter? Let us assume for now that it doesn’t. Sequel = series.

So how many is too many? Should the author choose or the readers? The rise of fan fiction would indicate that for some readers there can never be enough. The hero resonates so much in their own lives that they want to take them to new places, given them new experiences. Do I, as an author, own my character, own my heroines? I think I do. Unless I say to the world that their lives are their own for others to develop then I think that I do. Mrs Vintner belongs to me and I do with Penny B what I wish. Or, strong women as they are, I do with them as they wish!

There is no limit on the tales to tell about a hero, a band of brothers, a dynasty, a country. Each links to the other and builds to create a world which your reader wants to live. If you, as a writer, do get bored of it and need a new direction then you can do no worse than to let your creation go. But before you give them into the hands of all and sundry who daily contribute to the slushpiles of creation why not consider the ghost writer, the co-writer – you can’t stop having ideas about the people you created so why not let someone you trust write their lives for you.

Don’t kill off your Holmes, outsource him!